Friday, 2 May 2014

Another supercalifragilisticexpialidocious year - BBC Proms launch 2014


By Julia Hudson 

As I’m sure our readership is aware by now, we are fond of the Proms here at the Southern Sinfonia offices. Once we discovered we could make it from Berkshire desk (via Paddington, and that deceptively long walk from South Kensington tube) to take our seats in time for a 7.30pm kick off, there was no stopping us. We are pleased and proud to see our beloved Patron Sir Roger Norrington will be at the helm of two Proms this summer; on 26th July he will conduct his Zurich Chamber Orchestra in a St John Passion, with a cast of singers led by legendary James Gilchrist, and 3rd September finds him as Honorary Conductor of the Stuttgart Radio Symphony Orchestra, performing, Beethoven, Dvořák and Berlioz. As if this wasn’t enough, our wonderful Musical Director David Hill will be conducting his BBC Singers on 13th August in a late-night Steve Reich Prom with Endymion. Intriguingly, all three concerts have been featured in the Proms’ ‘handpicked list’ of Classical for Starters; concerts to choose if you are new to classical music. 

In contrast to these varied yet comforting choices, there are of course the attention-grabbers; much to our surprise we loved the Urban Classic Prom last year, but this year Laura Mvula is joined by Paloma Faith, Rufus Wainwright and the Pet Shop Boys. The Pet Shop Boys are premiering their homage to Alan Turing, the pioneering computer scientist and World War II codebreaker prosecuted for homosexuality who received a posthumous royal pardon this year. Neil Tennant describes the work as “very different from anything else we’ve ever done”, and this 40-minute work ‘A Man From the Future’ will combine orchestra, electronic instruments, a chorus and narrator. Other notably ‘different’ Proms include a BBC Sport Prom, hosted by Gabby Logan, a CBeebies Prom, which prompted Roger Wright at the launch to describe the season (his last) as ‘supercalifragilisticexpialidocious’, and a War Horse Prom involving Gareth Malone and his Military Wives Choir.

© John Wright
So far, so accessible, different, and novel. However, as Tom Service excellently put it in the Guardian, “it’s the genuine novelties I’m looking forward to, the 32 premieres of one stripe or another, including music by Simon Holt (27 July), Gabriel Prokofiev (29 July), Helen Grime (9 August), and Jörg Widmann (two pieces played by the Cleveland Orchestra on 7 and 8 September). Most intriguing of all is Benedict Mason’s Meld on 16 August, a piece whose mechanics are remaining as secret as possible beforehand, but which promises to confound "what we think of as an orchestra, of a concert, and even of music itself", as the brochure has it.” The season is also studded with performances marking the 80th birthdays of our greatest composers, Peter Maxwell Davies and Harrison Birtwistle, as well as many other anniversaries. As Roger Wright says, “Sir Roger (80 this year) will, like Sir Andrew Davis (70), Donald Runnicles (60) and

Edward Gardner (40), conduct two Proms and it is a thrill to welcome back Sir Neville Marriner in his 90th-birthday year, with the orchestra he founded, the Academy of St Martin in the Fields, alongside its new Music Director, Joshua Bell.”

However, in my view, one of the most important developments this year has rather gone unnoticed. As one tiny part of Roger Wright’s legacy, this year all the Proms will be on iPlayer, there is a dedicated Proms button on the BBC iPlayer Radio app, six interactive BBC iWonder guides, and the addition of BBC Playlister, where music lovers can build playlists of their favourite presenters’ recommended works from the season. Already used as part of the BBC’s Glastonbury coverage, this illustrates the unique ability of the Proms, to solidify listeners’ relationship with music beyond a single night’s acquaintance. As an appropriate nod to the commemoration of Alan Turing, this demonstrates that, without shouting about it or losing its heart, the Proms is consistently remaining at the forefront of the year’s musical calendar for a contemporary generation.

So, what implications does this launch have for Southern Sinfonia? It is undeniable that interaction is key to solidify support for large-scale projects and events; we are fortunate to have platforms such as this blog and our website and social media feeds. We also enjoy working with a huge number of artistic organisations, from choral societies to universities, all with their own supporters, so we are constantly meeting new friends. Secondly, it is clear from the 2014 Proms series that diversity and variety allows the joy of the festival to spread across generations; we support this ethos through our education work and Young and Older Musician of the Year competitions.  With our own anniversary next season, and a host of projects across musical spheres and ages in the planning, we look forward to sharing our own launch with you.

Before then we have a number of other exciting concerts on the horizon, including Café Concert with harpist Olivia Jageurs and actor Alex Knox (both pictured above) on Friday 20th June; click here to find out more about this event

The heats for our Newbury Young Musician of the Year Competition are currently being held so keep checking our websiteTwitterFacebook and Instagram for the latest updates!

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