Tuesday 29 May 2012

Johann Sebastian Bach...in Pictures


1. Johann Ambrosius Bach



1685 - On 21st March 1685, Johann Sebastian Bach was born in Eisenach, Saxe-Eisensach to Johann Ambrosius Bach and Maria Elisabeth Lämmerhirt. He was orphaned by the age of 10 and went to live with his eldest brother, Johann Christoph Bach.






2. Church of St. Boniface, Arnstadt



1703 - Bach graduated from the prestigious St. Michael’s School in Lüneburg and completed a short stint as a court musician in the chapel of Duke Johan Ernst in Weimar, from where he was appointed the organist at St. Boniface’s Church in Arnstadt.






3. Wilhelm Friedemann Bach




1706 – Bach was offered the post of organist at St. Blasius’s in Mühlhausen, which he took up in 1707. It was in here that he would meet and marry his first wife Maria Barbara Bach, with whom he had seven children, including Wilhelm Friedemann Bach (1710-1784) and Carl Philipp Emanuel Bach (1714-1788) who would both become composers.




4. Title page -Das Wohltemperierte Clavier

In 1708 Bach left Mühlhausen and returned to Weimar as organist and concertmaster at the ducal court. This would be a key period in Bach’s composition of keyboard and orchestral works and also when he would begin writing what was later assembled into his monumental work Das Wohltemperierte Clavier (‘The Well-Tempered Clavier’). Bach eventually fell out of favour in Weimar and, according to a translation of the court secretary’s report, was jailed for almost month before he was unfavourably dismissed.




5. Leopold, Prince of Anhalt-Köthen (1694-1728


 1717 – Leopold, Prince of Anhalt-Köthen (1694-1728) hired Bach to serve as his Kapellmeister (Director of Music). The prince was a Calvinist, so much of Bach’s work during this period was secular, and includes his Orchestral Suites, the Six Suites for Unaccompanied Cello, his Sonatas and Partitas for Solo Violin and the Brandenburg Concertos.





6. J S Bach with his wife Anna Magdalena?


1720 – While abroad with Prince Leopold, Bach’s first wife suddenly died. The following year he met and married a highly gifted soprano 17 years his junior, Anna Magdalena Wilcke, with whom he would have a further 13 children.




7. Georg Philipp Telemann (1681-1967)

1723 – Bach was appointed Cantor of the Thomasschule at Thomaskirche in Lepizig, and Director of Music of the principal churches in the town – a position he held for 27 years until his death. He would broaden his composition and performance during this time through his directorship of the Collegium Musicum (a secular performance ensemble begun by Georg Philipp Telemann) and indeed many of Bach’s works during the 1730s and 40s were written for and performed by the Collegium Musicum.




8. Augustus III, King of Poland



1733 – Bach composed the Kyrie and Gloria of the B Minor Mass and presented the manuscript to the King of Poland, Grand Duke of Lithuania and Elector of Saxony, Frederick Augustus III (1696-1763) in a successful bid to be appointed as Royal Court Composer. He would later extend this work into a full Mass.





9. Dr John Taylor


1750 – Bach’s eyes were operated on by British doctor John Taylor (1703-1772), in an attempt to prevent further blindness in the composer. The surgery on both eyes went badly wrong leaving Bach completely blind. Later that year Bach died, with one contemporary newspaper citing ‘the very unsuccessful eye operation’ as the cause of death. Modern historians, however, have suggested that the cause was instead a stroke complicated by pneumonia.





10. Thomaskirche, Leipzig.



Bach was originally buried in an unmarked grave at Old St. John’s Cemetery in Leipzig, where he would remain for nearly 150 years. In 1894 his coffin was found and moved to a vault in St. John’s Church. However, the church was destroyed by Allied bombs in December 1943, and Bach subsequently found his final resting place in the Thomaskirche (Church of St. Thomas) in Leipzig.





Southern Sinfonia performs Bach's B Minor Mass with The Bach Choir on 6th July at Winchester Cathedral to open the Winchester Festival, for more information please see our website.

Monday 21 May 2012

Getting to know...CPE Bach


The Man
  • Full name: Carl Phillip Emanuel Bach
  • Born 8th March 1714, died 14th December 1788
  • Fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach
  • Named in honour of his godfather Georg Philipp Telemann
  • Entrepreneurial - establishing a system of agents in many of the musical capitals, which ensured the circulation of his work across Europe
  • Mozart famously said of him ‘Bach is the father. We are the children!’
  • In the second half of 18th Century, the name ‘Bach’ was almost exclusively associated with Carl Philipp Emanuel, and not his father John Sebastian.

His Times
  • Born at a time of transition between the Baroque and Classical Eras, his work filled a vast stylistic gap between these two musical styles.

His Work
  • He was the foremost representative of Empfindsamer or ‘sentimental style’
  • This style tried to forge a direct emotional connection between the musician and listeners, valuing intimacy and passion.

  • One of his greatest achievements- The Essay on the True Art of Playing Keyboard Instruments- remains the most famous treatise of its kind and is in fact a work of prose.
  • It provides technical advice and introduces the now standard practice of using thumbs in keyboard playing.
  • It also emphasised a performance style which for the first time placed emotional expression on level pegging with technical capability, saying:
‘Since a musician cannot move others unless he himself is moved, he must of necessity feel all of the effects that he hopes to arouse in his listeners’

Keywords:
  • Unorthodox
  • Forward-thinking
  • Transitional
  • Dynamic 

Southern Sinfonia performs CPE Bach's Magnificat with Somerset Chamber Choir on Saturday 28th July at Wells Cathedral.

Thursday 10 May 2012

(Some of) The Best B Minor Mass Recordings Ever...


Ok, so we've definitely missed some (the Harnoncourt and Leonhardt ones to name but a few), but we've been having a think about the best recordings of Bach's B Minor Mass and here are some of our suggestions:


Click on the image to listen on Spotify...


 
1. BBC Chorus, New Philharmonia Orchestra, Otto Klemperer

“The efforts of all concerned, under Klemperer’s inspiring direction, have provided in this towering masterpiece a spiritual experience thousands can now enjoy and profit from. It is a glorious achievement.” Gramophone


 

 2. Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner

Gardiner brings a concept of the work which not only explores its ineffable mysteries but also savours the magnificence of its architecture. With members of the chorus doubling as soloists, and all singing splendidly, this is in every way enjoyable... A clear first choice among available versions.” Gramophone
 


3. Rodolfus Choir, Southern Sinfonia, Ralph Allwood (we couldn't resist it)

The overriding feeling of this recording is its lively pace and its refusal to hang around...The opening of the Credo finds the choristers presenting beautifully moulded choral lines with such an astonishing legato that they positively glide by. Allwood is also blessed with an outstanding team of soloists...Throughout the Southern Sinfonia lend distinction to the performance.” International Record Review
 

4. Chorus & Orchestra of Collegium Vocale Ghent, Philippe Herreweghe

‘He [Herreweghe] allows the music to float ethereally with a natural respiratory rhythm, drawing affecting performances from Barbara Schlick, Howard Crook and Patrick Beuckels (flute)’ Gramophone




5. The Sixteen, The Symphony of Harmony and Invention, Harry Christophers

‘Christophers has a refreshingly straightforward approach to proceedings…[and]the more exuberant movements are as thrilling as you will hear anywhere’ Gramophone
 




6. Solisten Des Tölzer Knabenchors, Taverner Consort & Players, Andrew Parrott

‘Fresh in approach and entirely free from that studied reverence which all too often gathers like moss around sacred works long in a national repertory’ Gramophone





7. The Bach Ensemble, Joshua Rifkin

‘To Bach, the sound of this performance would have rung far truer than that of any other performance most of us will have heard…for the clarity and the sweetness of the sound puts the music in a fresh and on the whole very convincing light’ Gramophone


 


Southern Sinfonia perform Bach's B Minor Mass with The Bach Choir on 6th July at Winchester Cathedral to open the Winchester Festival, for more information please see our website.